Episode 205

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Published on:

22nd Jun 2026

The First Civil War General to Defeat Grant | The Legend of Van Dorn movie interview!

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This episode of Talk With History features an interview with screenwriter/lead actor Lee Wilson (as Confederate cavalry commander Earl Van Dorn) and actor David B. Meadows (as Nathan Bedford Forrest) about the feature film The Legend of Van Dorn, set in Middle Tennessee in spring 1863. They discuss how Wilson discovered Van Dorn through a Spring Hill play, Meadows’ initial reservations about portraying the polarizing Forrest, and the production’s emphasis on authenticity through filming at historic sites and battlefields.

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00:00 205 The Legend of Van Dorn Interview

00:05 Van Dorn Murder Mystery

01:10 Meet the Film Cast

02:49 Discovering Van Dorn

05:49 David Takes on Nathan Bedford Forrest

08:25 Why These Generals Matter

10:05 Filming on Real Battlefields

13:30 Costumes and Authentic Detail

16:07 Cavalry Training and Horses

23:05 Staying in Character on Set

25:55 Playing Confederates Today

31:52 Why History Matters

32:35 Fearless Acting Choices

33:16 Motives Behind Villains

34:39 Pirates and the Moral Gray

36:42 Context Over Caricature

38:20 Real Civil War Artifacts

43:21 Graves and Childhood Sites

44:30 Forrest vs Van Dorn

47:08 Van Dorn Love Affair

50:03 If Battlefields Could Talk

51:55 Release Date and Premier

52:52 Wrap Party

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Transcript
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in the spring of 1863, Middle Tennessee was a powder keg.

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Leading the Confederate cavalry defense was Major General Earl Van

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Dorn, a brilliant, aristocratic West Point graduate who, alongside Nathan

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Bedford Forrest, formed one of the most lethal military duos in the Civil War.

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But Van Dorn was a man chased by his own demons, and on May 7th of that year,

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his war didn't end on a battlefield, but at a writing desk in Spring Hill,

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Tennessee, shot through the back of the head by a vengeful local doctor.

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It's a story of ego, war, and a scandalous affair that shook the

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region, and it's finally being brought to the silver screen in the new

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feature film, The Legend of Van Dorn.

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What makes this movie production truly incredible is that it wasn't

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shot on a Hollywood backlot.

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The cast and crew embedded themselves in the actual history, filming at historic

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landmarks like Elma Springs, Rattle and Snap Plantation, and on the very

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battlefields where these men fought.

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Now today, we are sitting down with two of the phenomenal actors

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bringing these larger than life historical figures to life.

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Screenwriter and lead actor Lee Wilson, who steps into the boots

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of General Van Dorn, and David B. Meadows, who captures the fierce

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intensity of General Nathan Bedford Forrest, a very famous name in history.

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diving into the weight of acting on sacred historic ground, the physical

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reality of cavalry training, and what it takes to look past the myths and

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find the humans behind the history.

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Lee, David, welcome to Talk With History.

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Thank you.

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It is

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here

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wonderful to be here.

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Thank you for having us

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Guess again

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for our audience, this is a unique opportunity for us.

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So thank you so much, gentlemen, for, for talking with us today

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and, and talking to our audience.

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I think this is kind of a perfect opportunity.

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We actually spoke with, We were at the Gettysburg Film Festival not too long

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ago and spoke with a couple other folks making a Gettysburg, a kinda era movie.

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So this, this is perfect.

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And now when I had looked up who Van Dorn was, a lot of people know

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Nath- Nathan Bedford Forrest, right?

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For better or for worse, right?

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They, they kinda know some aspects of Nathan Bedford Forrest.

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But General Van Dorn, didn't think was really as well known.

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So Lee, can you … Now you wrote this, I believe.

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Can you tell me a little bit about you discovered General Van Dorn and, and what

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led you to, to writing this about him?

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Well, how it happened was I lived in Spring Hill for more than 10 years,

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and someone actually reached out to me.

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Um, it was my my agent actually said, "Someone has asked if they can call you

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and talk to you about this play." And I hadn't done theater, you know, since

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high school or college, and I wasn't really that interested, but I took the

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call, and this person was calling on behalf of, of a director who had been

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directing this play in Spring Hill.

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And she said, "Would you just please meet with the director and

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just kinda see what she has to say?

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It is a paying job." And, and I said, "Why, why me exactly?" And she said,

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"Just wait until you talk to the director." So I, I go into this coffee

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shop to meet the director, and she is a woman looking to be in her 60s.

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And as, as I walk in the door, she does like this.

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And, um, what, what is… You know, what is going on here?

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And I, I just kinda sit down and, and she's… I notice she's got tears in

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her eyes, and it's hard for her to actually speak, and she says, "You

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look just like him." And I said, "I do, I do?" And she said, "Yeah."

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And she said, "Did you look him up?"

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I said, "Yeah, but he didn't have blonde hair." And she said, "That's because

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you're seeing the black and white." She said, "He had blonde hair and blue eyes."

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Yeah

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And so we talked, and she s- she gave me all these books to read, and she actually

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grew up learning to fence, to sword fight.

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Her dad was a, a very sought-after teacher of sword fighting, and one of the people

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who he taught her to revere as a child learning to sword fight was General

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Earl Van Dorn, who was considered one of the best sword fighters in the world.

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Yeah

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so she wanted me to be in this play, and she said, "You will learn proper

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technique of sword fight." I mean, this, this woman she's a wonderful woman.

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Dr. Dionne Collins is her name, and she actually got a, a special thanks

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in the, uh, credits of our film.

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But she offered me the role to be that part, and that's when I started learning

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about Earl Van Dorn and her love and almost obsession for Earl Van Dorn.

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And so I learned the story through this play, and I started reading

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more about him, and so that's how I got introduced to him.

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. i'll go to David next.

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You know, David, you know we kinda know Lee came into the role

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of, of General Van Dorn, right?

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Doesn't, doesn't hurt that you look, you know, like, like you're, you're

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the spitting image of this historical, larger than life historical figure.

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But David, for someone like Nathan Bedford Forrest, when that was brought

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to you, I mean, there is a lot of, there's a lot of history- … behind

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that name of Nathan Bedford Forrest.

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So, so talk us through that.

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Like, what was your- Yeah … first thought, and then as you kinda got into

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playing this role and started working with Lee, can you, can you kinda tell us

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a little bit about, about that transition of when someone said, "Hey, I want you to

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play Nathan Bedford Fo- Forrest," which again, there's, there's a lot behind that.

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Yeah.

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You know, it's, it's very interesting because Lee and I have been friends

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for several years now, but we met under completely different circumstances

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with, you know, with his other business and everything like that.

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And so when he came to me with this movie idea, I was, I was really

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kind of like taken from the side.

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I was like, "Wait, what?" Y- you know, it was… I had no idea that he was

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interested in acting or producing or, you know, much less that he

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had written this movie or was such a historian or anything like that.

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then when he sent it out, I, I'll admit, I actually didn't know that

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much about Nathan Bedford Forrest.

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I recognize the name, of course, but I, I don't consider myself a, a history buff,

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and especially of the Civil War era.

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so when he first came to me about it, it was one of the things where I

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was kind of like, "Ah, you know, I'm not sure." It's, you know, it wasn't

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overarching passion or anything like that that I'd always wanted to do.

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So then, of course, I, I delve into it, I read the script, and I

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look into it, immediately General, General Forrest is just completely

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ripped all the way through history.

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A very, very, very polarizing figure.

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so at first, I had a lot of reservations about it.

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It was one of the things I try to keep my work in particular as an actor, you

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know, separate from i-i-- sometimes from political or religious things or whatever.

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I, I try to keep it i-i-in, in, in different verticals.

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then the more that I read about it and the more that Lee talked to me about it,

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I really started getting excited about it.

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And then the more people started reaching out to me about the prospect

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of it, because there's such a massive reenactment community of

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people that are just passionate and knowledgeable about this entire source.

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And when Lee started introducing me to a lot of the guys there, and I started

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hearing their stories and their sides and their takes on this, and the more

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I started reading General Forrest's biography and all of his true history, and

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a lot of the things that the man said and did and all these sorts of things, I was

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like, "Dude, this, th-this dude badass."

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yeah

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amazing.

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I mean, some of the real-life stories that would rival anything that happened in

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a, i-in some Hollywood action movie, you know, that were going on through there.

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so then I really started getting compelled, not to get too far into

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the acting on it, about figuring out the man underneath the legends, right?

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And really trying to delve into that sort of a thing because… A-and, and

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challenging it away from the archetype or the stereotype of what we may

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think and do, but really getting to what sort of a man does things like

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this and believes things like this.

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And so at that point in time, I was hooked

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Yeah.

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Very cool.

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Yeah.

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That's, that's awesome.

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So I, you know, gentlemen, I, I agree with you both.

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We moved here to Memphis from California, and the, the, the statue here was

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of Nathan Bedford Forrest, right?

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The statue in Memphis.

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And I was like, "Who?" And I g- I, I grew up in Pennsylvania.

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I got my education there.

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When we learned Civil War, it's a little Grant, it's a little Lee.

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You may learn Gettysburg.

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That's it.

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And so when I got here and everyone's talking about this statue, and I'm like,

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"Wh- who is it?" That, that's our very first video we make for Walk with History.

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Who is Nathan Bedford Forrest?

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Why is his statue here?

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Why is it controversial?

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But if you saw Forrest Gump, they kinda touch on him real fast.

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Yeah.

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And that's where I think most people's recollection of the name would be,

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unless you grew up in this area.

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And like you said, David, he's very… You have to really study him to know

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the truth about everything, because he can be very pushed into these

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stereotypes, and people can just believe that is his whole story, unless you

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really read everything about him.

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And a- again, as historians, that's what we, we do.

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We make sure all the sources are out there.

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But Van Doren is even more obscure.

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Like, I would say, would… I didn't even know him until I

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had to study about this movie.

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So people who know Van Doren, which, awesome name, by the way.

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It's… You know, I love the name.

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But, but it was like I had to kinda look more into him.

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He's one of those people, again, unless you are this area, it's

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not a name you would recognize.

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So I like that you're bringing these stories to life that are here and are

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real and for people to learn more about.

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Yeah.

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N- now, Lee, one of the, one of the things- Okay

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That, that I, I read up on was that you did a lot of the filming in that,

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the, like some of the actual area.

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Can you, can you talk about some of the locations that you filmed at?

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'Cause I know, you know, we had talked, like I mentioned earlier when we were

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at, up at, in Gettysburg, you know, some of the actors that film up there

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love being on the actual battlefield.

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Can you talk about that?

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Yeah, the producer I mean, there were eight producers.

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As you know, you know, with, um, big films there, there are lots of producers.

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But the first producer, the main producer, Brad Wilson, he, um, was

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pretty passionate about filming on and near where it happened because even now

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I live fairly close to Spring Hill, and in Columbia and some of the area where

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we filmed, there were actual fields that have been left untouched other than, you

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know, k- pasture fencing that were…

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There were skirmishes, there were parts of battles there.

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And so a couple of the battles, that we filmed, we were actually on battlefield.

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This happened, which was quite a spooky thing, especially when I

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learned something about reenactors, and that is that there are three types,

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and I'm, I hope I get this right.

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There are

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Contemporary, I think is what they're called.

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Th- then there are I may get the names wrong.

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There are contemporary, I think there are realistic, and then there are purist.

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Ah.

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Okay

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And when we were working with, uh, a gentleman, um, Dr. Kevin Gray, who's

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connected to thousands of reenactors, we didn't realize it at the time,

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but we had history consultants who were terrific, and I know we'll,

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we'll be talking about them some.

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But the reenactors that we ended up having the vast majority of were purist.

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And they're on this battlefield, they are in exact attire

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down to even their underwear.

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Yeah.

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Mm-hmm.

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in, in tents with, that were made of the exact same material.

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And so one of the funniest things was that during filming, the director,

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Shane Stanley, I mean a famous director, he's had two world number

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ones, he holds the record for the longest number one in history in film.

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He's, uh, royalty.

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He's on set and he's telling these reenactors, "I need everyone to move about

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five steps to the right." They do nothing.

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He says it again.

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They do nothing.

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He looks at, uh, Joel, who is, um, director of cinematography.

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He says, "What's going on here?

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Are they deaf?" And so finally, one of the historians says, "Oh, they won't

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listen to you because you don't exist.

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Look at how you're dressed." And he said, "Well, who will they listen to?"

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And all three looked at me, 'cause I'm in this full general's uniform.

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sure.

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Yeah.

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And so Sha- so Shane said, "Okay, I want you to try something." He said, "Tell

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these guys to move five steps left or five steps right," whatever it was, and I, I

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pointed and I said, "Five steps this way."

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They all did it.

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And so it was pretty addictive because I'd come onto set and there would be 100 guys

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at s- full salute, you know, jumping to their feet 'cause here's General Van Dorn.

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And, and they, uh… it was a fun experience for that reason, but we were

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able to use people who were dressed exactly as they would've been dressed on

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the fields where it actually happened.

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And I was dressed, and so was David.

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We… everything was authentic.

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It was an experience

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Uh, that's super cool.

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So let me ask you when it came to then recreating your look,

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like you said, do you have real source material to pull from?

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Like, is there Van Dorn garments that are still in a museum somewhere that

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you could look at and, like, make sure you were matching up, like, his… what

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he looked like and what he was wearing?

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Well, we had lots of pictures,

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Okay

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those were very helpful.

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And that's pretty much w- uh, our… We were actually incredibly fortunate to have

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as, um, our, our costume supervisor and his staff, he was a Civil War enthusiast,

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and he was also a re-enactor, and he was a professional costumer wardrobe guy.

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So he, I mean, we had incredible expertise.

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And so he actually, the outfits he picked out for me were, he said, "I've got

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General Van Dorn right here in Mississippi when they gave him his award sword after

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he had defeated the Comanche twice.

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He was considered the greatest military mind in the country.

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Here he is in this uniform.

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You have it on right now."

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I mean, he was down to incredible detail.

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And we even, there were several times, and I'm sure David remembers this,

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they would stop filming because one of the historians said, "That's not

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right." And they'd come over, and they'd bring their n- their, their needle

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and thread, and they'd get it right.

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We were, we were very much in good hands with that, and they were

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committed to, to authenticity.

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It was, uh, terrific

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It w- it, it's, it's not like the, the John Wayne days where- Yeah … where

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they're just like, "Ah, we'll put something on that looks good on John

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Wayne, and we'll just worry about it afterwards." And he's cavalry for

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Yeah

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it, it's…

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Civil War.

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know, who, who Lee's talking about is, you know, our costume designer,

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Christian Michael, there was legitimately a single time where I remember

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where he was developing one of my one of my vests that I was wearing.

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He was going nuts trying to find a- a- and basically comparing and

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contrasting different pictures and perusing every forum, every article

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that he could find about a button.

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Wow

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What was the button made out of?

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What was the actual logo?

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Because there were

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Mm-hmm.

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he would even go, he's like, "Well, you know, there's a misaccount that this was

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on the button, but in fact, they stopped using that in this year, and our war's

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taking place two years later." I mean, he got to that level of detail, you know,

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on making sure that not only was it used, but it was used in the exact timeframe

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that we were actually there, you know?

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And, oh, they could no longer… You know what?

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They would have to replace buttons and, you know, when they would replace them

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because there was a shortage of materials, they couldn't use the original materials

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and, and the forge was broken, you know, that the original button, so they had

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to go to this model and everything.

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Dude

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That's awesome That, that, that's absolutely amazing.

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Now, David, as, you know, someone who's playing f- you know, Nathan Bedford

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Forrest, he, kind of one of the things in, in, we joke here all, all the

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time, so my wife is the historian.

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She's the smart one.

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I, I'm, I'm the guy behind the scenes typically.

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I…

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Thank you guys for your service,

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Yeah.

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Oh, thank you.

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Oh, yeah, yeah,

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Absolutely

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Our honor to serve our country.

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Yeah, but so, so I'm, I'm the guy who, who kinda likes to do

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the, do the production side.

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But one of the things that I have learned as I've done kinda all this history stuff

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with, with Jenn, is that, you know, when you go to Civil War battlefields and you

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read any account about Nathan Bedford Forrest, is like that guy was a rider.

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Like, he, he was a cavalry, cavalryman through and through, and I, from

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what I read, Van Dorn was as well.

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So David, did you have to, you have to learn how to ride?

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Like, was, was there a lot of- … a lot of training that went into that?

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Because some of the stories I read about Nathan Bedford Forrest that I

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remember is, like, him just, like, tearing through battlefields and

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picking guys up and all, on a horse

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So, you know, really funny story about that, Scott.

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Yes.

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So I grew up in West Virginia, and I did a little bit of riding and things like that.

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And then, you know, back in a previous career and all that, I, I did riding

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and stuff like that, but not to this

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Right

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definitely not a stunt rider, right?

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we had these incredible Ron and Jason, who were…

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not only are they fantastic cowboys themselves, but they have a tremendous

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gift for teaching other people to ride.

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But then, of course, I show up, and Ron, the the head wrangler, you know,

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is just going, "Yeah, dude. Well, Dave, you know, I'm gonna give you the meanest

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horse that we have." I'm not kidding.

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Named Blue.

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He's like, "And she's just, she's just mean," right?

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The whole time, because that would be General Forrest's

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Yeah

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you just, you're not gonna have a benign

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Yep

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the meanest one that's running around there, and you're going to h-

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And, and it was actually brilliant

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you know, I did a lot of riding on Blue, and she's biting me and, you

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know, all this other sort of stuff.

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And so we had this long period, several weeks before we actually

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commenced filming, where I would just be riding every day or every other

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day, and we're just going on, you know, continuous levels of complexity.

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And the crazy thing was I developed this relationship and this push-pull love-hate

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with Blue, and you can see it on camera

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Have fun

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because she doesn't take my shit at all.

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Like, she's just sitting there just constantly doing this thing.

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So what it made me do is actually have an energy and a control and

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an aggression even to the horse, and you can see it in the scenes.

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I'm sitting there, it's not just on some benign horse and

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doing the scene or whatever.

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There's an aggression that… So it made it very e-easy to, for me to capture

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an energy for General Forrest of always being the aggressor in everything I did.

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No matter whether I was talking to somebody, I'm fighting, I'm riding my

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horse, I'm just walking in the room.

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Like I just, bah!

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You know, it's

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Yeah

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that I always would come in with.

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And so having Blue in that thing was just another… There was nothing passive

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ever about playing Nathan Bedford Forrest

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Yeah.

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Now, now Lee, how about you?

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How, how was the… 'Cause again, another thing that I'm learning about Van Doren

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as I'm reading about this was him and Forrest, that's kind of where they, they,

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they kind of met on this, on the s- on the same, the same f- same plane, right?

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Now they, they had some

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All right

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the two of them, but, you know, Van Doren was a writer as well, and a very good one

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Yes, and a, an incredible horse trainer as well.

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And, you know, right before he beat Ulysses S. Grant, you know, the

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only… He was the only one that did.

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Mm-hmm

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he had lost two battles as, uh, an infantry general.

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Now, one of them, General Bragg took half their guys because he thought it was over,

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and left Van Dorn with half their force.

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And at that point, Van Dorn realized, "I've just gotta try to save our guys',

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you know, our lives right now." And so that was considered a loss, but most

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people don't blame Van Dorn for that.

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But he was an incredible horseman, and when he got… When they basically said,

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"Look, you're undefeated as a cavalry officer, so we have something we want

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you to do," and Van Dorn w- wanted to do it, and it was take on Ulysses.

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was one man he, he wanted to help him, and it was Bedford, because he considered

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him his e- equal in terms of cavalry.

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And so that comes out in, in, in the movie.

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But I had to go through almost two months of horse training

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because, you know, you have to look like you know what you're doing.

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And I had a, a horse that was identical to the one that the people of San Antonio

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gave General Van Dorn after he defeated the Comanche twice and saved the Cherokee

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from basically from annihilation.

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The people of San Antonio gave him this horse, and he named

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it San Antonio, coincidentally.

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Sure

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so they ha- they had matched that.

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And- That horse, number one, it was huge.

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It bucked me off.

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The first time in my life I've been bucked off a horse.

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oh

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I went up in the air, landed on my back, and Ron Ron came over and got

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control of the horse and, and he handed it to Dayson and he, they, you know,

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they're checking on me like, "Oh, no."

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And he's like, "You, um, you just wanna go back to the hotel?" And I remember

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thinking, "If I do that, I'm gonna think about this all night, and I'm not gonna

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wanna get back on this horse." Plus, I thought the horse is gonna know he can

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buck me off and he's done for the day.

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So it was one of the bravest moments of my life when I put my foot back in that

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stirrup and got up on that horse again.

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And I think, uh, I don't think Ron or Dayson thought I would do it, but I did.

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I got back on that horse, and it was a terrific experience.

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But one of the scenes, our horses have been in cannon fire and gunshots,

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and they're just freaking out.

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And then we have this scene right after, and so we think maybe

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they'll be calmed down because switching scenes is a big ordeal.

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I mean, you're talking at least minimum an hour even with a good crew.

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But the horses are still really jumpy, and this is where, just like David

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was talking about, we're trying to have this conversation on horseback,

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and our horses are going crazy.

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They're bouncing their heads up and down, they're jerking this way and

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that, and they'll just start running.

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And, and so Shane, the director, he's just getting ticked 'cause

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these horses won't stay still.

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And finally he said, "You know what?" And he had the ca- He said, "Back up,

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back up." He said, "Go with it." So our horses will just randomly take

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off while we're trying to talk, and he said it actually looks more realistic.

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And in one of them, David actually grabs the horse and just goes, "Ho," and

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then he turns to me and keeps talking.

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And, and afterwards, David even said to me, "That was a train

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wreck." Then we saw it on, on, we got to see it a little bit later.

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They showed us some of the clips.

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It looked so realistic, as horses would if they had just been

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through, you know, a, a war.

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Uh, it was, it turned out to be a really good scene.

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But I just remember David y- gra- you know, "Ho," yelling at his

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horse while we're in the middle of dialogue 'cause that thing, j- Blue

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is just, was a nut, and so was mine.

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His name was Jasper, and he was in a commercial recently with Post Malone.

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Oh, no

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I like, " There's my horse."

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Yeah.

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a, there's another great thing…

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so I would say it sounds very method.

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Like, you guys are almost, like, method acting here, right?

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Like, people are in character.

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You have to be in character to order the men to do something

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even if it's not during a scene.

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Yeah, on location too.

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Right?

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You're with the horses.

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The horses are act- and you have to kinda go with the flow and just, you know, reign

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'em in as you're trying to do your scene.

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It sounds like it really helped you maintain your character and, like,

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stay in that spatial awareness of what you were trying to reenact.

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It was, you know, there was, So first of all, there was one other

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thing I was gonna throw in about

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Mm-hmm.

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horse.

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very early in my research about General Forrest, I found out that he was renowned

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for standing up and riding into battle

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Oh, wow.

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at full

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Wow.

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Thank you.

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I didn't know that

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and would oftentimes shoot men from horseback standing.

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And his whole thing about literally was, again, part of his larger than

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life persona, but he legitimately did it where he was just like, "Come get

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me. Come get it. What do you want?" And he would routinely stand up in the

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middle of the battlefield and be able to, you know, see where his men were and

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things like that, and would sometimes ride across the battlefield standing.

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So I insisted that Ron and Dason teach me how to do that so that we… And there's

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several scenes where I do it actually in the movie, and, and it looks so

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That's awesome

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yeah.

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It's just, and it's so iconic and just so indicative of Nathan Bedford

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Forrest and, and all of that.

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But, you know, back to you guys' point, I was having the exact same thing with

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Lee and anyone who actually knows me, I- I'm like the most casual, non-formal

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dude that there, that there possibly is.

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And so going in there and, but then you step into this larger than life,

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not just a general in the Civil War, not just, but Nathan Bedford

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Yeah

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you know, in there, who these men just idolized.

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You know, his men loved

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Mm-hmm.

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so to walk in there and then to go onto the, you know, onto the sets and

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things like that, and then just be kind of lavished with that much respect

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and renown at the same time, you know, there's, there's obviously the great

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deal of imposter syndrome for me at first where I'm like, "Gosh, you can relax."

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Like, I'm just, you know, it's like, it's cool, but they're

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just, that's just not the world.

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But so, like, once I eventually leaned into that and said, "Okay, this is what

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we're gonna do, this is what we're gonna do, this is gonna be the way," it became

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so easy just stay in character the whole

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Absolutely

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and just live in it because everybody was just kind of,

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that's what everybody was doing.

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And after several weeks, even the, the rest of the people on set, you know,

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the, the camera guys, the, the, you know, the supporting, all the, all

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the… Everyone just kind of went with it, and they just did their whole thing.

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So it's like you show up on set, get into costume, and that was

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it, you know, until, until we were wrapped for the day, and it was, it

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wa- it was a pretty fun experience.

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because we were with all the, the purists.

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Wherever we would go, we were saluted.

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It was awesome.

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Yeah.

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Oh

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It was constant

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Yeah.

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Yeah.

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Um, so let's talk about the elephant in the room then.

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What does it feel like playing Confederates?

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Like, so when we did that interview in Gettysburg the director and the writer

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of the movie was in the movie Gettysburg, and he talked about how has seen a shift

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now when people play General Lee, I think it was Martin Sheen who plays Lee in it.

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Like, he was very renowned for his portrayal, and people… and but he

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said now it was hard for him to get people to want to play Confederates.

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People don't want to even step into that space, and said it's killing

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acting for that, and I wanna know how you guys feel about that.

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Well, I'm happy to go first

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one of the things that I learned in studying the Civil War a tremendous

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amount was that there are stereotypes that exist today that are not real, and

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one of them is the idea that there was all these Southerners owning slaves.

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Did you know, and, and feel free to look this up, the, the

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estimates are between one and 3% of Southerners actually owned slaves.

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I don't think I knew that Oh, yeah.

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it was, it was incredibly expensive to do,

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Mm-hmm.

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there were people who, uh, were opposed to it in the South.

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And what, what was going on was, and you can read accounts of this, where

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there were people who did not own slaves, didn't even know there was

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a war going on, working their crops with their families, and this cavalry

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unit comes over the hill and executes their sons and burns their home down

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and takes the woman as a prisoner.

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And so a lot of Southerners were simply defending their homes.

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They didn't even know what the issue was.

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They, I mean, we didn't have the internet.

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They barely had

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They

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And so, yeah.

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And you know what's interesting is General Van Dorn, most people don't

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know this, but he was extremely opposed to the United States fighting itself.

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And so the first surrender of the war was where Van Dorn in near Galveston,

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Texas, took, uh, command of a Northern ship that was bringing in soldiers,

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and he said, he said, "Keep your guns. We're all Americans." He said, "The,

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you're not my prisoners. The only thing I ask of you, if you sign this

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document pledging you will not take up arms against your fellow Americans."

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And all but five of them signed it, and those five threw

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their guns into the ocean.

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The others, he let them keep their guns.

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He said, "You're not my prisoners. You're Americans." For that, where he

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prevented bloodshed, it was the first surrender of the Civil War, but he also

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prevented them from starting the war.

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It hadn't started yet.

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Lincoln proclaimed Van Dorn a pirate, wanted dead or alive.

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He put the highest bounty in the world on his head, $5,000, which doesn't

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sound like much today, but then it was you never have to work again money.

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Yeah

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And so Van Dorn, what choice did he have?

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Because he was wanted dead or alive by those guys, so who's he gonna fight with?

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Sure

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So th- there are some thoughts there that most Southerners were defending

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their, their lands, didn't know why these people were coming and killing, you

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know, them, and they didn't own slaves.

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And they s- the people who were fighting, they certainly weren't fighting for

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1% of somebody else to own slaves.

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You know, most of it was, most of them would've said it was self-defense

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Yeah.

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D- David, how about you?

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Yeah he already covered Lee already covered all of that.

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So I, I think, you know, one of my interesting things about I very

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much resonate what, what you guys were just saying about Gettysburg

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I agree with that, and I think it's an absolute travesty, and here's why.

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So I, I went to classical theater school, and one of the great things, and one of

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the reasons I fell in love with acting, and I've just become so passionate about

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it, is acting is not about performing.

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It's about exploration of the human spirit and the human nature

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and the understanding that inside, largely, we all want the same things.

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We wanna be loved, we wanna be understood, we wanna be safe,

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accept-- so on and so forth, right?

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It's just the exterior or the methodology to get those things that's

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different for people, but at the end of the day, child would want the same

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Yeah

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what, what, what maybe what you guys think of what it means to be loved to

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you may be a little bit different from me, and that's what people see, right?

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That's the exterior.

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But it's still wanting to be loved.

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And so I think that this whole thing nowadays… A-and that's what the theater

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has always been about, acting is a safe place to explore the truth in the

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uncomfortable sides of human nature.

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They're all the way back even in the Greeks and, you know, classical theater.

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The theater was the one place that was safe to say what everyone was

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Yeah.

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right?

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Yeah

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that, even the kings and people would let it

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Yep

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as long as it was in the theater, even though the theater was just saying

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what the populace was too scared to

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Yeah

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But that was the privilege and the beautiful thing about that exploration.

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I think that nowadays, I totally agree with you.

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There's so much thing-- People ca-- are, are losing this ability separate

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society and modern ideologies from the

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Mm-hmm.

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I think that that's incredibly tragic for two reasons.

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One, think it shows an erosion of maturity and of emotional intelligence and all

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that for people to go, "Oh, I can't… I you know, I-- Oh, well, you know, I can't

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think American History X is a good movie.

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What will people think about me?" It's like it's a good movie, and it's…

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You know, they're like, "Oh." You know, you see, you know, the cancellation of

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books now, you know, where people are like, "Oh, we can't watch To Kill--

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We can't read To Kill a Mockingbird.

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It makes people offended." It's like, "It

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Yeah.

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the

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That's the point Mm-hmm

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Exactly, exactly.

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And anybody who knows, who studies philosophy or history or human

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psychology knows that the fastest way to create travesties is to forget

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the ones that already happened, shut yourself off from that sort of thing

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and to, and to kind of deny this whole section of, of the human condition.

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And, and I think that that's where we're going

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Mm-hmm.

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right now.

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You know, as a society, there's a lot of that.

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And I think that… And then when you get into an acting world about it, I've

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seen it even, you know, once I got out of theater school and so on and so forth,

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and then I would go to do continued training at certain times, and I've

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watched a little bit of that ideology go into some of the modern work that

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people were doing, and it makes them

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Mm-hmm.

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Like they'll literally all of a sudden people won't make the choice.

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And I'm like, could you imagine, to go back to, could you imagine

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if Edward Norton was scared be as racist as he possibly could when

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he was first playing that chara- he's not playing the character.

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He's tell- he's not telling the story.

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The story loses its

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Yeah

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its function, it loses all of everything that made it powerful if he didn't

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have the balls to just do it, right?

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You know, but we don't walk around saying Hannibal, you know, Anthony

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Hopkins actually is a cannibal

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Right

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Hannibal Lecter so brilliantly, right?

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And, and people have just lost this whole thing.

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And so I think that all of that is there.

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And then the other thing that I remember is that, and I think that this is a great

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thing, again, getting back into Nathan Bedford Forrest of Mandy was Lord of Life.

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Everybody does whatever they do because they think it's the best option

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they have in their circumstances.

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That's basically the motivation for every human

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That's a great point

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always trying to do the thing that we think is the best for

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us at that particular time, given our experience, given our

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possibility, all that sort of stuff.

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And, and it's not that people go out there thinking they're a bad person

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or thinking this, and there's, there's this huge danger of pushing modern

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ideologies and modern thought processes onto past because at the same time

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you're like, "Dude, at the time they were doing exactly what they thought

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was totally normal and totally correct."

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Yeah.

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So to try to play that, that was what I tried to remember the

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whole time when dissecting Nathan Bedford Forrest's motivation.

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It's like, what does the child want?

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He wants to be safe, he wants to be loved, he wants to be respected.

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You know,

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Mm-hmm.

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normal things that we want nowadays, and he's doing what he thinks is right,

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Yeah.

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Yeah

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A-a-and so I tried to just find that and embody that and live from

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that place rather than a place of

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Yeah

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a place of… or something else.

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You know what's interesting is Pirates of the Caribbean is

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a, a franchise I, I just love.

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I, I, I enjoy it.

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My sons love it.

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It was… It's obviously been extremely successful.

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Do you know what Pirates did to people?

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Oh, yeah.

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Yeah.

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w- you wanna talk about the monsters and the killers and the villains, and

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we've turned them into the heroes.

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I mean, they were celebrated.

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And Jack Sparrow, a lot of people don't know this, it's in the

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deleted scenes of, on the first DVD of Pirates of the Caribbean.

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Do you know that the Black Pearl was a sh- a slave transport ship?

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I believe it Oh, I didn't know that 'Cause that was, that was Blackbeard's

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The, the East,

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was a slave ship.

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So if it m- if

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the

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after Blackbeard, it's the same kind of

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Yeah, the East India Trading Company.

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Mm-hmm.

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so, you know, we, we have this franchise that we celebrate, and these people were

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bloodthirsty se- killers who would go into town when they arrived and kill

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everybody and steal from them, and we made them into Disney characters.

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No,

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so we're j-

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you.

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yeah, so

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I

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we see it, we're, we're, we're telling this is what happened.

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We're not telling people how to think about it.

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We're just saying, "Hey, this happened."

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That's what historians do So she says it all, she says it all the time We tell

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you how to think, not what to think.

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Yes.

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Right?

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Truth matters, and I commend you guys for telling the truth

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because the problem is it's not black and white, it's gray, right?

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And people need to empathize with the truth.

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If you wanna really understand it with humanity, you need to empathize with it to

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understand where these people are coming from and the choices that they're making.

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I commend you guys for telling the truth about… 'Cause these

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were amazing characters to play.

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They have amazing stories to tell.

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And who wants to tell the boring story of the person who didn't do

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anything, who didn't take a chance and test their mettle, right?

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Like, you guys are really doing it, so I commend you for telling their stories.

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And and I'm, I'm really looking forward to seeing this movie.

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Yeah.

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It, it's, it's one of those things that we're constantly talking about,

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both on, on the podcast and on, on the YouTube channel, context matters, right?

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Context is everything, and both of you guys said, said that

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just in, in your own way, right?

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From a historical perspective and from an actor's perspective of what

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you're trying to do in portraying, truly portraying that character.

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And it, it reminded me a little bit of Have you guys ever seen, probably not

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because I had never seen it there's a 1985 Civil War series, miniseries with

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Patrick Swayze- That he probably saw

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called North and South.

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We've-

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I've heard of it.

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Haven't seen it

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With Patrick Swayze … you, I, I'm telling you guys- … you

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should go watch it.

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It's early Patrick Swayze.

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Like, from, like, the first time you see him, I was my first thought was, like,

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man, he, he looks like just, he's it looks like he's still got baby fat on him.

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Right?

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Just young Patrick Swayze.

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It was awesome.

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And

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He was awesome

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we, we- Yeah … we watched the whole, we watched the series and we talked about it

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on a podcast with another friend of ours.

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But they do the, they do a similar thing of what you guys are talking

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about, is they kinda stretch it out.

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It's everything leading up to the Civil War in this first part of the

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miniseries, and they provide this North and South context, and these

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two guys who become best friends.

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And they, they show both sides and the struggle on both sides and exactly

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what you guys are talking about, that not everybody was slave owners.

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A lot of it was self-defense.

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There was extremes on both sides back then, but then

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there's everybody in the middle.

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So I really appreciate you guys bringing up, kinda, one, the reality

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of the contextual history, but then also the reality of contextual people.

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People are, are gray, that we live in that, in that gray.

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Now, one of the other things- Mm-hmm … yes, people are people.

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We say that all the time.

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Now, o- one of the things, you guys filmed on location kind of so

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throughout various spots of Tennessee.

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Now, Lee, I saw, one of the things I was looking up, that you guys

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actually got some kinda real artifacts that you were able to use on set.

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Can you, you talk a little bit about some of those?

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One of them, and I'm glad that, uh, David can… I've been, I

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keep meaning to ask him this.

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We talk a lot, almost every day, and I, every time I, we do, I forget.

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But there was a top an undershirt, well, not an undershirt, but it, it

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was worn under the general's jacket that was owned by General Forrest

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that actually still had blood stain

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No

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from General Forrest on it.

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It was owned by his, Sarge is his nickname, but Maury forgive

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me, Mari, I, I can't think of his last name at the moment.

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We, we just called him Sarge, and, um, he had this shirt, and it had the

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bloodstain of, of General Forrest on it.

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And both David and I put it on, and I'm pretty sure Dave

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wore it in one of the scenes.

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Is that right, brother?

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Yeah, that's,

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Wow

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true.

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And as a matter of fact so during several of the scenes,

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So y- 100%, you know, so we actually worked into S&P, I

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mean, the production office.

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I had nothing to do with it.

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But the very strong and Sarge in particular, you know, is just a

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legend down there, not only for his knowledge, but for, you know, the

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incredible network and the respect that, that he has down there.

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so he somehow convinced the museum to lend us authentic, not replicas,

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real artifacts from the Civil War.

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at one point in time we, you know, Lee already mentioned the shirt

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that he and I both wore there.

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That was General Nathan Bedford Forrest's real

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Wow

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still crusted with blood to this day.

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they lent me his revolver

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Whoa

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which is, I mean, r- it's basically a priceless artifact.

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And it was his real revolver, and they don't know how many confirmed

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kills he got with it or anything like that, but it was a lot.

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I actually use it in one of the scenes, and then they also gave

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me his sword that they had.

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And what-- So there's one scene where I draw my sword standing from horseback

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and command charge to everybody.

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I think it's in the trailer and things like that.

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That's his real

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Oh my gosh

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But at the end, as a wrap gift, all of the re-enactors came together

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Holy cow

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And gave me a real Civil

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Oh, that's awesome Oh, that's super cool

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an authentic sword um, by an unknown soldier, not a

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Oh, wow

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that I don't know exactly if the museum had it, but they were willing to give it

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up or, or, or like something like that.

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But it is actually a real Civil War sword used in battle by

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an unknown, unnamed soldier.

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That's really cool.

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That's awesome.

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And then I got to use I didn't know at the time it was going to be given to me,

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but Van Dorn, because he was wanted dead or alive, he was the, he was more heavily

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guarded than Lincoln or President Davis.

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Wow

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He had this is according to Maury Sarge, he, he had 40 bodyguards,

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Wow.

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Holy cow

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because he was under that kind of threat from the North, which if you

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see our movie, you'll, you'll kinda see that we bring some of that in there.

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But this is a Colt Walker

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Oh, cool Wow.

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Yep.

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They were involved.

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Holy cow.

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That is

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And it, uh, is Van Dorn carried two of these all the time.

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And if you ever… I don't know, obviously you can't… I don't know if

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you can tell, but this is a heavy gun.

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It's about eight or nine pounds.

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Oh my

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And, uh, he had two of them on him at all times, and it's actually used in a little,

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little love fight that he and Forrest had where he pulls a gun on Forrest.

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But, uh, it was this particular gun, and it's made from some authentic

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pieces and some replica pieces.

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But it's, it's quite the, quite the item to behold.

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And we got, uh, I also had a t- terrific sword that was, um, it was

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a replica, but it was identical, you know, so it, it felt real, and I

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had it on me pretty much all times.

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And I know David did his as well.

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It was really an immersive experience for, uh, you know, like a month.

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We felt like we were literally Civil War generals in s- in many ways.

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We probably ate a lot better, but

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And you guys didn't sleep outside.

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Did you sleep outside

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We did not.

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No, we slept in a, in a hotel.

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Nice, nice hotel

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Now of these two gentlemen, have you been to their grave sites?

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Have you gone to visit their graves?

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I know Van Doren is buried in, is it Port Gibson?

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I've been there.

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As a matter of fact you can go to the Instagram Legend of Van Dorn,

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and if you scroll down a few of the videos, you'll actually see me at the

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grave site of General Earl Van Dorn.

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And then Dave and I both were at Forrest's grave over in Elm, Elm Springs here in

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Yes Yeah They just moved it there.

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We filmed there, as a matter of fact.

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We filmed at Elm Springs, yes

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Thad

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Yeah, and Lee actually even took me over to

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that's right

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Forbes' childhood home.

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wow.

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Yeah

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So we got to go to everywhere and, and go around and see the thing, and it

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was pretty wild sitting there going, "Wow, this is probably where General

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Forrest literally ran around as a child."

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Wow

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the woods that he played in, the bed that he slept in.

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I mean, like, everything.

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know, imagining playing hide-and-go-seek, you know, out in the woods or,

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or whatever the case is, or in the dilapidated barn that's still

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Mm-hmm.

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All that sort of stuff.

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It was just a wild, wild experience.

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So, so what was it like for you guys?

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Because, you know, Forrest was very much kind of a self-made, kinda came up, you

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know, I, I, I mean, he was poor initially and then kind of got some money, right?

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And that's how he got his commission.

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Whereas Van Dorn kinda came from the other side of the tracks, right?

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He w- went to West Point, didn't graduate, if, if I remember right, the

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No, he did.

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He got…

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Oh, okay.

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graduated, just not the

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He graduated.

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Which I, which I, I- You, you can relate to … I can totally identify with that.

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So, He went to the academy.

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Yeah, so

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Now part of that, his defense was because of demerits.

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So he actually, 'cause he drank whiskey and he cussed a lot they said.

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Yeah,

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So he might have had really good grades, but he had demerits

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that demoted his grades.

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I can

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Anyway

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id- I can absolutely identify with that.

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So, so what was it like for, for you guys playing these two- Yeah … kind

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of, again, kinda coming from the each, each side of the tracks,

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but then working together, right?

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And historically, obviously, that's what happened.

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H- how mean, how were you guys able to kinda develop that dynamic?

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Like, what was that like?

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Well, and you know what's, you know what's really interesting about that,

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the historical truth that you were just hitting on, and then Lee and I

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as friends and just as individuals, because again, anyone who knows

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me, I cuss all the time, and at one point in time I drank quite a bit.

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But General Forrest doesn't.

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He didn't cuss.

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He was not into or

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He didn't drink

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didn't drink, nothing.

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He was actually very, very devout to his wife.

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It, which is again, it's an interesting thing to

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Yeah

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a guy, he did not go to West Point or have formal education.

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He was self-educated and actually took it as a point of pride to constantly

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des- destroy West Point grads and all this other sort of stuff because

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it was literally, it was part of his e- I mean, he, he was, he got

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Yeah

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just loved embarrassing these people.

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Like what you said, he came from pretty much nothing and was largely

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just a self-made man and rose to just these tremendous heights.

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And it's, it's very interesting, you know, because because Lee himself is,

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is a man who is not given to, to, to cussing much or anything like that.

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So it's interesting for him to step into Van Dorn's,

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Sure

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characterization

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yeah

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then, you know, for me to go into Forrest, it was just literally like a

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complete role reversal on the whole thing

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Yeah, and Van Dorn is, like, very t- tested soldier.

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Like, he's in the Mexican-American War, he's part of the American

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Indian Wars, like you talked about with the Comanche and the Cherokee.

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Like, he's a tested soldier.

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By the time he hits the Civil War, it's, like, a old hat for him almost.

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It's not new, what he's learning how to do, his tactics and stuff.

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Um- Well, and, and the interesting thing, another interesting thing I, I, when I

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was reading about Van Dorn, is, like, all the accounts as I'm doing my, my

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generic non-historian research on- online, it, all of them said, like, " Van Dorn

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was an incredibly handsome man." Right?

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It, it, like, it said that consistently, and then it basically said, like, he,

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you know, he, he was a womanizer, right?

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He was, for the most part, you know, out there kinda whatever he could get his, you

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know, whoever he could get his hands on.

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man.

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Yeah, you know, like, a- and so I, I find that so interesting and, and

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you know if it says it consistently in historical accounts, it was,

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was probably relatively true

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Yeah.

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Yeah, and

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And he was, he wasn't, he didn't even hide it either.

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Like, he was always this… I mean, he like, especially at

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that time where it was just

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No, decorum was such a thing, right?

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ah.

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And he

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that we, that was made known.

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I didn't realize it until kinda near the, the end of it, but there was the reason

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we were doing certain scenes, and it was to show that this was a very public

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thing, and that's… The accounts say that the people were kinda shocked at

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how open Van Dorn and, and Jessie Peters were with their affair, that hi- his ca-

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carriage would go to her house and pick her up at all times of the day and night.

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They were seen walking the streets of Spring Hill together, you know, downtown.

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They would go to banquets together,

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That's

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together.

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And he, he… I think he got to a point in his life where i- and this, this…

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I'm not justifying it, but I, I think I maybe can explain it to some degree,

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and that is he knew every day could be his last, either by battle, or he

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knew that the most powerful man in the world, arguably, Abraham Lincoln, had

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a bounty on his head, uh, of $5,000, which, you know, today's money, I

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don't know what that is, m- probably millions, but it was life-changing.

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And, you know, when you go so long thinking, "I probably won't live

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to see tomorrow," or, "I may not live to see tomorrow" … You know,

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during the Comanche Wars, he took an arrow through his lungs and through

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his stomach, and they gave him,

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That's

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you know, tha- he wasn't gonna live through the night.

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Yeah.

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And then five weeks later, he, he, he beats the Comanches a second

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time, and they never come back

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Mm-hmm.

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they think that, that the, the, the, um, Cherokee are under

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the protection of Van Dorn.

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So this guy's, this guy knows he is mortal, and I think in the, i- in the

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war, in some ways, that Jessie and Van Dorn were kinda two souls s- in some

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ways trying to save each other, just like let's have something special in the

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middle of this hell that we're in, and I think that's how he looked at life.

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So I'm not justifying it, but I do think that if you're trying to understand Van

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Dorn, and I'm not saying that I've done it more than anybody else, but I've

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spent years trying to understand the man.

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And in a time of war, maybe you do things you wouldn't normally do.

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You know, maybe

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Yeah, you seize the day because you don't- might be your last.

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Yeah.

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Yeah.

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So I, I can understand that.

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All right, so, so as we get ready to, to wrap things up here, for, for the both

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of you, right, you gu- again, spent a lot of time on location, which I think just

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lends to that authenticity of this, this movie that, that we're looking forward to.

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Now, i- if the, if these battlefields could talk, right, if these battlefields

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could talk today, from the time you guys spent on them, what do you

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think they would say about the way we remember these events or these people?

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Wow

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I, I think that we humanized these people and that we very much one of the things

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the director would tell us is that w- this is a fly on the wall type of movie, and

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that this is about a story that happened.

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And so we're not trying to make this guy as always the bad guy, because no, no

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bad guy's always the bad guy, you know?

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He had… People had kids, people had puppies, and they were… They

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wanted to live with their family.

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They wanted to retire, things like that.

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And so we were very… He was very much, uh, Mr.

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Stanley was very much against caricatures and exaggerated portrayals, and he

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said, "What we want is we want people to see General Van Dorn, General Forrest,

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Jesse Peters, Dr. Peters, all these people, and say those were human beings.

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They, they weren't just words on a page or, or caricatures

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or bad guys or good guy.

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They were human beings who were going through one of the worst times

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in the history of this country." And he said, "I wanna see human

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That's cool

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Where do you think the premiere's gonna be?

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I'm, I'm going to show you

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Well,

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but…

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We found out just recently.

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It's Amazon Prime,

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Okay?

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Oh,

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of them.

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A- Amazon Prime, August 21st.

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It will be on Charter Cable and Cox Cable, and then Verizon has a streaming

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service, I didn't even know that, and,

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yeah

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Fandango, FandangoNOW.

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Uh, that's August 21st, and then it will be on other platforms following that as

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well, but we, we don't know of those yet.

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But Amazon Prime, August 21st.

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You can go to The Legend of Van Dorn… I'm sorry, legendofvandorn.com.

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That's legendofvandorn.com, and you can sign up to be notified, you know, reminded

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when it's, the day it's premiering and when it's premiering on other platforms.

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It's legendofvandorn.com

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Awesome.

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We did a red carpet event in Franklin.

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Uh, it showed the Franklin Theater.

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We sold that theater out and, and so Dave was there and everybody was there.

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Oh, that's awesome

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DB Sweeney and Joe Lando and all the people who were in the, in the movie.

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So we had a red carpet event there,

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well, I'm really and I know you probably don't care, but I'm

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really proud of you gentlemen.

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I'm really proud of you for telling

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you

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story.

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I think it's our story, and I think it, we need to see it.

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We need to embrace it.

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It belongs to all of us, and I really love that you are truth tellers, and you're

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finding the humanity in all of us in history and portraying it for us to see.

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So thank you for doing that

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So thank you for having us

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Thank you

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for those listening, for those watching, I will absolutely put the

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links that you mentioned in the video description of the podcast show notes,

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so please keep an eye out for that.

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End of August, that is The Legend of Van Dorn.

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My immense thanks to Lee Wilson and David B. Meadows for joining us today.

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It's rare to see a production lean so heavily into the physical reality of

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history, not just through the script and the performance, but by honoring the

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actual soil, the homes and battlefields where these incredible stories took place.

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If you wanna see Lee and David bring this gripping chapter of middle

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Tennessee history to life, look out for The Legend of Van Dorn.

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You can check out the trailer right now on Vimeo, and look in our podcast

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show notes and for some of the links to where you can find the movie.

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We'll talk to you guys next time.

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Thank you.

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This has been a Walk With History production.

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Talk With History is created and hosted by me, Scott Bennie.

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Episode researched by Jennifer Bennie.

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Check out the show notes for links and references mentioned in this episode.

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Talk With History is supported by our community at thehistoryroadtrip.com.

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Make sure you hit that follow button in that podcast player,

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and we'll talk to you next time

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About the Podcast

Talk With History: Discover Your History Road Trip
A Historian and Navy Veteran talk about traveling to historic locations
Helping you explore historic locations to personally connect with the past.

🔎 Uncover the stories behind history's most fascinating places!

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About your hosts

Scott B

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Host of the Talk With History podcast, Producer over at Walk with History on YouTube, and Editor of TheHistoryRoadTrip.com

Jennifer B

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Former Naval Aviator turned Historian and a loyal Penn Stater. (WE ARE!) I earned my Masters in American History and graduate certificate in Museum Studies, from the University of Memphis.

The Talk with History podcast gives Scott and me a chance to go deeper into the details of our Walk with History YouTube videos and gives you a behind-the-scenes look at our history-inspired adventures.

Join us as we talk about these real-world historic locations and learn about the events that continue to impact you today!